Metal with a verdigris patina has an aged beauty that is unique. This protective layer of oxidation is formed over metal like copper, brass and bronze through the years as it is exposed to the air. Products have been developed today that can speed up this natural process. These chemical solutions are able to add patinas to surfaces quickly and efficiently.
Metals like copper and brass were used frequently in the past to create a variety of objects, from pipes to garden statues. All these objects show signs of weathering after years that is hard to imitate. The popularity of this aged finish has lead to many faux painting techniques being devised to recreate the look, some of which are fairly successful. However, the true finish can only be obtained by the oxidation of metals.
In the past, the green color of verdigris was used as a paint color by artists. The way they hastened oxidation was by hanging copper objects in a pot of hot vinegar that was sealed. Pigment was made out of the green crust that formed. The use of this pigment continued until more stable ones were developed.
One of the attractions of a finish like this is that no two objects turn out exactly the same. The finish varies depending on different factors such as the type of metal and the techniques used to accelerate aging. The variations of tone and color provide a great foil to contemporary materials and give respect to days gone by.
The color of the patina depends on the type of metal and the length of time it has been exposed. Bronze often develops a blue-black color while copper usually produces a blue-green color. Various methods can be used to hasten the development of these colors, such as use of heat and vinegar.
The required effect may need to be built up gradually, using several thin coats so as to exercise more control. Alternatively, a few thick coats can be used. One can experiment with different techniques and on different surfaces to see what interesting results can be obtained.
Various different applicators may be used to apply these products such as sponges, brushes, rags and sprayers. Trial applications are recommended. One can experiment with many different objects and surfaces. It is often better to use more thin coats than fewer thick coats as one has more control of the effect created.
It is always better to pour a small amount of the product into a disposable container. This means one never has to dip the applicator directly into the bottle. Using gloves or making sure that hands are thoroughly washed after application is also important. As long as the right precautions are taken, there are no risks involved in using these products.
A verdigris patina is appreciated today for its uniqueness and the way it contrasts beautifully with contemporary materials. All the ways used to create such an effect in the past are no longer necessary. Products are readily available that can eliminate time, making the process an effortless one.
Metals like copper and brass were used frequently in the past to create a variety of objects, from pipes to garden statues. All these objects show signs of weathering after years that is hard to imitate. The popularity of this aged finish has lead to many faux painting techniques being devised to recreate the look, some of which are fairly successful. However, the true finish can only be obtained by the oxidation of metals.
In the past, the green color of verdigris was used as a paint color by artists. The way they hastened oxidation was by hanging copper objects in a pot of hot vinegar that was sealed. Pigment was made out of the green crust that formed. The use of this pigment continued until more stable ones were developed.
One of the attractions of a finish like this is that no two objects turn out exactly the same. The finish varies depending on different factors such as the type of metal and the techniques used to accelerate aging. The variations of tone and color provide a great foil to contemporary materials and give respect to days gone by.
The color of the patina depends on the type of metal and the length of time it has been exposed. Bronze often develops a blue-black color while copper usually produces a blue-green color. Various methods can be used to hasten the development of these colors, such as use of heat and vinegar.
The required effect may need to be built up gradually, using several thin coats so as to exercise more control. Alternatively, a few thick coats can be used. One can experiment with different techniques and on different surfaces to see what interesting results can be obtained.
Various different applicators may be used to apply these products such as sponges, brushes, rags and sprayers. Trial applications are recommended. One can experiment with many different objects and surfaces. It is often better to use more thin coats than fewer thick coats as one has more control of the effect created.
It is always better to pour a small amount of the product into a disposable container. This means one never has to dip the applicator directly into the bottle. Using gloves or making sure that hands are thoroughly washed after application is also important. As long as the right precautions are taken, there are no risks involved in using these products.
A verdigris patina is appreciated today for its uniqueness and the way it contrasts beautifully with contemporary materials. All the ways used to create such an effect in the past are no longer necessary. Products are readily available that can eliminate time, making the process an effortless one.
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